Earlier this year, Hachette Book Group came under significant criticism for picking up the rights to publish writer-director-actor Woody Allen’s memoir. Much of the criticism was centred on the seeming hypocrisy of the same firm that published Ronan Farrow’s "Catch and Kill," a definitive account of the #MeToo era. This was just the latest in a string of filmmakers, writers, actors and other artists being "cancelled" by the court of public opinion. I propose an article that will address, in a balanced and sensitive fashion, the extent to which people should separate the public work of these artists from their alleged private misdeeds.
Ohh this is interesting! I feel like the other big one these days is the harry potter/jk rowling's latent transphobia issues (and how deeply and quietly a lot of her prejudices or ignorance managed to work their way into books that seem to argue exactly against them) – Claire11 months ago
After witnessing the devastation of the 1918 flu pandemic, Virginia Woolf made the titular heroine of "Mrs. Dalloway" an influenza survivor, embracing life with flowers, friendship and a dinner party.
In recent weeks, we have all seen images of the doctors, nurses and other frontline workers, saving lives in hotspots like Italy and New York. Their faces, tired and worn out, call to mind Edward Munch’s "Self Portrait with the Spanish Flu" and "Self Portrait After the Spanish Flu".
I propose a feature on the lessons we can learn from the art of past pandemics.
Nice topic. Maybe you can make it How to learn from the art of past pandemics. – birdienumnum171 year ago