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Separating Art from Artists

Earlier this year, Hachette Book Group came under significant criticism for picking up the rights to publish writer-director-actor Woody Allen’s memoir. Much of the criticism was centred on the seeming hypocrisy of the same firm that published Ronan Farrow’s "Catch and Kill," a definitive account of the #MeToo era. This was just the latest in a string of filmmakers, writers, actors and other artists being "cancelled" by the court of public opinion. I propose an article that will address, in a balanced and sensitive fashion, the extent to which people should separate the public work of these artists from their alleged private misdeeds.

Taken by kerrybaps (PM) 15 hours ago.
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Art in the Time of a Pandemic

After witnessing the devastation of the 1918 flu pandemic, Virginia Woolf made the titular heroine of "Mrs. Dalloway" an influenza survivor, embracing life with flowers, friendship and a dinner party.

In recent weeks, we have all seen images of the doctors, nurses and other frontline workers, saving lives in hotspots like Italy and New York. Their faces, tired and worn out, call to mind Edward Munch’s "Self Portrait with the Spanish Flu" and "Self Portrait After the Spanish Flu".

I propose a feature on the lessons we can learn from the art of past pandemics.

  • Nice topic. Maybe you can make it How to learn from the art of past pandemics. – birdienumnum17 1 month ago
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