Sean Gadus

At San Diego Comic Con 2018, Tom King unveiled his upcoming Heroes in Crisis event for D.C. Comics. The event will focus on a super hero rehabilitation center that is the target of a mass shooting. Tom King has been up front about his belief that comics should confront real issue that society is dealing with, but will this subject matter be too serious and rooted in reality to be successful (both commercially and artistically)? this article could examine other situations that explore real world issues (the struggle of Pakistani-Americans in Ms. Marvel or Drug Use in Batman:Venom) and if and how these more grounded stories are successful. You could also include the comic book industry's use of rape and domestic abuse as a plot devices, which have largely been criticized by critics and fans alike as often being insensitive or used in inappropriate ways.

Since its release in 1976, the academy award winning Rocky has received six sequels (Rocky II-V, Rocky Balboa, and Creed). The original Rocky was a relatively low budget film focused on a down in his luck boxer with an extraordinary chance to prove his worth inside and outside of ring. It was hailed for its underdog story, acting, and its iconic training scenes. The subsequent sequels often opted to forgo many of the ideas and the low budget style found in the original film. Sequels sometimes included cartoonish villains and other elements that would be out of place in the grittier original Rocky. When Creed was released in 2015, it received near universal acclaim for its story and acting (especially by Stallone and Michael B. Jordan in the title role), which focused on a hungry fighter working to prove his worth to the world. Like Rocky, the film was a character study of a box working to confront his issues within and outside of the ring. Is Creed the closest thing in style and tone to the original Rocky?

Bioshock was a revered and renown franchise but except for a remaster of the original 3 games, the series has been quiet since Irrational games closed. With the recent announcement of a secret new Bioshock project called "parkside", there is a chance we will see a new game from the series. What do you want to see out of a new Bioshock game? What new setting would fit a new game? What mechanics would you want to see?

God of War has been a smash hit since its release April 20th. With a strong sales launch and massive critical praise, the game is primed to be a benchmark in AAA gaming. By setting the game in the Norse world, God of War borrows the mythology of the Norse cultural groups. In doing this, The game sets expectations for what enemies you will see, what locations you will go to, and what events will occur. However, the game plays with the conventions and established canon of Norse Mythology in surprising ways. This article would analyze how Norse mythology is applied to the God of War universe and how the game subverts our expectation of traditional Norse myths and characters.

13 Reasons Why was hugely popular and important YA novel written in 2007 by Jay Asher. In 2017, it received a 13 episode Netflix adaption, which has renewed interest in the story. How did this story change, develop, or grow in its transition to the screen? Were these changes effective, or did they hinder or distinctly change the overall story or characters?

Take us through the changes between the netflix series and the book that inspired it.

With the popularity of online streaming platforms like Netflix and Amazon, who sometimes release an entire season worth of content at a time, how does this difference in presentation change how we watch and engage with entertainment. Just a few years ago, tv viewers had to tune in week after week to view the last hit t.v. show, but now, many famous and successful shows are released on Netflix at a season by season basis. For example, House of Cards, Marvel Shows (Daredevil, Jessica Jones, and Luke Cage), and Master of None all dropped with their entire season available for viewing from day one of their release. What is the effect on our thoughts and perceptions of a show when we can sit down and view the whole thing in one sitting rather than having to wait week by week for the next episode. What is lost and what is gained in this shift?

It is always exciting when a console or handheld device launches! But there isn't always great games to play day 1 when a system comes out. With the Nintendo Switch and The Legend of Zelda: Breath of the Wild launching tomorrow (Zelda is receiving rave reviews from a variety of critics), what are some of the best launch games (on any consoles/handheld) in history?

Super Hero films are here to stay. Each year a variety of super hero films are being released during the course of the year. While the genre "Super hero films" is the predominant label for these films, many super hero films fit very well into other established genres. Guardians of the galaxy fits well into the established Sci-Fi genre. Captain America 2's cast and director said that the film was influenced by 70 thrillers. The trailer for the new Wolverine film title "Logan" used Johnny Cash's haunting version of the song 'Hurt' to evoke a western feel. The director and star of Logan have gone so far as to dub it a "modern western". Recent trailers for Spider Man homecoming have focused Peter Parker's high school experience, which might fit in with John Hughes films and other coming of age high school films.

A question that remains is this: What are the advantages and disadvantages of separating films from the label of "Super hero" films and putting them into other genres such as crime, western, sci-fi, and fantasy? Do we gain deeper insight into these super hero films when we examine the other genres that they are a part of.

Does saying that a super hero film like The Dark Knight is a crime film help the viewer better understand the film and thus analyze its themes?

This topic could be taken in many different directions depending the writer's interest.