In a reaction video, someone watches something – a music video, a movie, a TV episode, a meme compilation, etc. – and records their reaction. This genre was popularized for the mainstream by YouTube channels like The Fine Bros., but there are many, many other channels that do it. Videos like "Real Doctor Reacts to Medical Dramas," "Real Lawyer Reacts to Crime in Movies," and "Vocal Coach Reacts to Music Video" have the advantage of being educational. What is it about this genre that we find so appealing? Is it just the relatability of people feeling the same feelings we have? Do we feel a connection to these people, across time and space?
Good topic, one I often wonder about myself. It would be especially interesting to note the difference in modern reaction videos towards reaction videos from the early days of YouTube, back when it still had a reply function; plenty of content creators made their name on just reacting to others. Yet in the modern day, people seem to be more interested in watching professionals or experts' take on certain videos, as made popular by channels like Legal Eagle or the Conde Nast family. Ever since those videos started becoming more popular, you don't really see the regular reaction videos anymore. If anything, you see people trying to emulate the new style with connections that are often flimsy (ex. "Person Who Lives In NYC Reacts To Seinfeld"). Did the audience realize they can do better? What could be the next 'phase' of the reaction videos' evolution? – semroolvink1 month ago
I think part of the allure is that we as humans want to see others amused and entertained. – J.D. Jankowski6 days ago
Reaction videos represent one's opinion or how many ever people are reviewing it and their individual opinions. We may agree or disagree but there is always space to know how others think about certain things especially if any of your favorite videos are being reviewed. – Sujayweaves5 days ago
Ebooks, despite being easier to access, quicker to arrive, sometimes cheaper, and easier to store than physical books, have never managed to outsell physical books. In fact, they do not even come close. Explore the possible reasons why this might be the case: material nature of print, satisfaction of flipping a page, ability to show books off, an examination of the differences between platforms (Kobo, Kindle, etc.), e-platforms (Kindle app, Google Play Store, etc.), and file types viability (epub, pdf, etc.), and the aesthetic/artistic parts of the physical book.
Article about ebook sales: (link) you prefer reading an,print on paper still wins.&text=“The book lover loves to,the rest of the world.
Good start. Can you supplement with some statistics on the sale of print books vs. ebooks? – Stephanie M.3 months ago
Perhaps another point of discussion could be the artistic elements of books. The different kinds of binding, the cover art, etc. – Samantha Leersen3 months ago
I know that a study had been done, where reading comprehension on computer devices was lower when compared to physical books. Perhaps people are aware of this issue intuitively on some level. Just a thought. – J.D. Jankowski2 months ago
You might also want to explore some benefits ebooks have over printed books, to flesh out the argument. For one thing, they allow readers to choose fonts, font sizes, line spacing, margins, etc. Readers can even opt for the text-to-speech function (when available). These choices provide a flexible format that can be more accessible to readers, especially those who cannot read traditional printed books – Mya2 months ago
Perhaps one could, as you've already indicated, analyze the physical nature of completing a book. Dog-eared pages, bent spines, handwritten notes along the margins, etc., all contribute to the 'reading' of a novel. Can the ebook hope to replicate or replace this physical relationship between reader and text? Additionally, what is the impact of looking at a screen? The screen might appear as paper, but the reader always knows they are viewing something electronic. Does this change the way a reader might read a text? For instance, word-finding tools are immediately present within a ebook, whereas one must actively search for something specific within a physical text. Is the presence of tools something that helps the reader in their understanding, or does it hinder progression by allowing readers to read 'easier'? – hooooogs2 months ago
Lolita, when it was published in 1955 (after much delay) was received by a hostile combination of abhorrent dismay and critical acclaim. Similarly, Salman Rushdie’s The Satanic Verses upon release in 1988 received both popular and critical praise but enraged a considerable portion of the Islamic community that resulted in a fatwa being placed on the author. More recently, the Netflix film Cuties was met with a #CancelNetflix response while the efficacy of the film’s intentions are still hotly debated. NITRAM, a film that explores the worst gun massacre in Australia’s history, has also faced significant objection.
These works are a small example of art that attempts to discuss problematic issues in the public domain. In varying degrees, they all portray uncomfortable representations of social problems. Where does the line lie with the representation of problematic themes in works of art? Does a work of art with the platform of Netflix have more of a responsibility to stay within the confines of non-controversy? Or, conversely, because of its platform, should this be the very arena that tackles problematic social issues?
An interesting angle for this article could be the role of cancel culture within the discussion. Do responses such as #CancelNetlfix inhibit the willingness of artists to attempt to tackle problematic issues and what is the consequence of this in broader social discourse?
Another example that jumps to mind is Jean-Jacques Annaud's 1992 film 'The Lover,' starring Tony Leung and Jane March. In the book, the unnamed female lead character, played by Jane March is 15. March turned 18 shortly after shooting began and (apparently) Annaud delayed shooting the sex scenes until after March's birthday. – Amyus5 months ago
The “artist”, the “creator”, as inherited from the Greek mythology and culture, is someone whose creative genius is inspired by the Gods or the Muses. There is something divine to it, something that transcends earthly concerns. Therefore, within the realm of art, any exterior and coercive influence is usually viewed as inherently bad or, at least, as suspicious.
It is particularly striking in the film industry, with the determining role of the studios. Some movies have several “cuts” because the original vision didn’t match the producers’ idea of the film, or the imposed length. (For instance, Blade Runner has been through seven different “cuts”, even though, today, the “director’s cut” is the most famous.) Actors’ demands or changes among creative teams, for instance, can also modify the original vision and first idea of a movie. Such mechanisms are particularly striking in the audiovisual, as the creating process is, from the beginning, plural. Yet, we can draw some parallels with the literary field, as well. Indeed, sometimes, some publishing houses may refuse a manuscript or impose drastic corrections.
However, on the other hand, some creators have been criticized for clinging too much to their work. For instance: the additions to the Harry Potter saga, J.K. Rowling made via Twitter. While some were globally well-received, others sparked controversy, whether because they were considered unneeded information, or because they felt like a desperate and clumsy attempt to debunk some small incoherence in the original saga. In the same way, many critics and viewers didn’t praise Ridley Scott’s attempt to, in a way, “regain control” of the Alien’s saga, with his two prequels: Prometheus and Alien Covenant.
Viewers, then, also have power over artistic creation. Their expectations and hopes can influence the way a show is written. And if those expectations are ignored or badly handled, it can lead the audience rating to drop.
Therefore, to what extent an author remains the master of his work? Once a book, a film, or TV show enters the creation process, does it still belong solely to the author? What about once it is released? Does it, at some point, automatically become part of a larger community, which also has some right of inspection? If so, what are, or should be, the power of this larger community?
Roland Barthes' essay 'Death of the Author' might fit within this discussion. It argues that the author's identity should not form part of their text's interpretation. Therefore, one might conclude that, once a story has been read or viewed, it is up to the reader/viewer to decide what happens outside of the story world; not the author. – Samantha Leersen3 months ago
My article investigates touchable art and introduces artists who recover in their practices the bodily needs for physical contact. Amongst the restrictions imposed by COVID-19 are ‘no touch’ policies and the closing of art institutions for unlimited periods of time. But our crave for touch grows with the passing of time, and so does our need for seeing new, beautiful things. My article suggests different ways in which the public can soothe their desire for physical contact by experiencing art in the virtual space. It engages with the works of British artist Lucy Clout, Berlin-based Americans Claire Tolan and Holly Herndon and American artist Julie Weitz. Most recently, Australian artist Michelle Vine was awarded a residency with Museum of Brisbane for which she produced work that brought together touchable art and participatory art forms.
Very intriguing and topical idea! You seem to already have artists and/or touchable artworks in mind, though. Perhaps you could mention them in the topic already, to guide the reflection? – Gavroche10 months ago
A query, Crisia. Is this a topic suggestion, i.e. for other writers to consider writing about, or are you announcing your intention to write about this subject? – Amyus10 months ago
Thank you for your notes! I'm announcing my intention to write about this subject :) – Crisia10 months ago
Earlier this year, Hachette Book Group came under significant criticism for picking up the rights to publish writer-director-actor Woody Allen’s memoir. Much of the criticism was centred on the seeming hypocrisy of the same firm that published Ronan Farrow’s "Catch and Kill," a definitive account of the #MeToo era. This was just the latest in a string of filmmakers, writers, actors and other artists being "cancelled" by the court of public opinion. I propose an article that will address, in a balanced and sensitive fashion, the extent to which people should separate the public work of these artists from their alleged private misdeeds.
Ohh this is interesting! I feel like the other big one these days is the harry potter/jk rowling's latent transphobia issues (and how deeply and quietly a lot of her prejudices or ignorance managed to work their way into books that seem to argue exactly against them) – Claire9 months ago
The simplest definition of ‘art’ is "the expression or application of human creative skill and imagination, typically in a visual form." Given this definition, could fashion be labelled an art form? We dismiss clothing as an everyday aspect of life, but it may actually be inherently artistic. An article on this topic could look at designers, both big and small. Look at the creative process and discuss how clothing is designed. Think of what needs to be considered, colour, shape, material. These are also considered in other art forms, like sculptures or paintings. The article could also look to how people choose to dress. Is this, in and of itself, a kind of art? Is it a type of artistic expression? Painters or photographers create websites and Instagram pages to show off their creations. People in fashion also do the same. This is a niche you could explore when highlighting parallels between fashion and other art forms. The fast fashion industry is often criticised for ripping off other brands or designers. This might suggest a personal aspect to the creation of fashion. Just like you would not copy someone else’s painting for profit, should designers not be copying other people’s fashion designs? Finally, as with art, in the fashion industry there is a hierarchy of what is considered ‘good’ and ‘bad’. Like art, fashion is constantly subjectively judged. This is another parallel which can be explored. Ultimately an article on this topic should draw a conclusion, is fashion an art form or is it not? It should provide evidence throughout to support which conclusion is drawn. There are a plethora of angles this topic could explore.
As a source for whoever writes this topic, the book "Beauty: A Short Introduction" by Roger Scruton is an amazing source for defining beauty and looking at the different forms of art in a philosophical/historical context to encourage questions like these. – Abie Dee10 months ago
I find this topic interesting. I think it can be, especially if you connect it with other art forms, like cinema. Look at Edith Head's work, or Adrian's with the film stars of the 1930s and 1940s. Givenchy with Audrey Hepburn in the 1950s.
I would also like to hear more about the journey made from the sketch to the finished product, worn by someone. I also think that fast fashion is something terrible for our lives and our planet and should not be considered art, even in copy form. – danivilu10 months ago
What is the effect of social media stalking, chatting, and posting on budding modern-day romances? Is there a difference between chatting over text or sending a snap to a potential partner? Examine how anxiety and mistrust flourish under the social media spotlight and how our methods of romantic communication have changed over the years from verbal contact to the sharing of images. Also perhaps consider the kinds of images shared and the effect they have on our psyche.
That's an interesting topic to look at, especially the creation of online personae. There are a couple of art projects undertaken on social media which act as a comment and critique on the severly mediatised societies we live in today. Maybe choose some case studies and let the writers analyse their effects in more depth.
– Kaya1 year ago
Great topic! Or maybe topics? I think the topic can be narrowed down. – JamesBKelley1 year ago
Interesting topic. Perhaps make it a little more concise. I think the last topic would be a good topic anxiety and how social media has changed romantic communication over the years. – birdienumnum171 year ago