Debs

The ancient philosopher Plutarch wrote a famous essay on how to tell the difference between a friend and a flatterer. In this essay, he lists several qualities associated with a flatterer, including:
1. being inconsistent and willing to change into whatever seems most attractive to the victim;
2. appealing to the worst angels of the victim's nature and copying their vices rather than their virtues;
3. seeking to please the victim in the moment, even if it will cause the victim greater problems later on;
4. seeking to separate the victim from their real friends.

With this definition in mind, what are some examples of flatterers from fiction, particularly modern fiction? What traits, if any, do they and their victims have in common? Are there any stereotypes associated with fictional flatterers, either in terms of physical features or psychological makeup?

It seems as though, a lot of the time, the audience's perception of a character in a story is colored less by things the character has actually said or done, and more by how another character (who is usually a main character or simply more popular) views them. For instance, in the original British Office, Tim, a salesman, spends most of his time bullying his fellow salesman, Gareth. However, because Tim is more popular and gets more screen time, audiences just assume that he is the "nice" one and Gareth "deserves" to be mistreated when there's no real evidence of this. The same series also includes a corporate higher-up named Neil, who is made out to be "mean" simply because he doesn't get along with David, the main face of the show. What are some other examples of this phenomenon from TV, or media in general? Are there any characters who seem to be especially unfairly judged? Do they (or the people judging them) share any particular traits in common?

Nowadays, suicide carries less stigma than ever before, both in fiction and in real life. In many respects this is a good thing, as it means that people who experience suicidal ideation no longer have to feel like they are morally deficient. However, it seems as though some works of media have gone too far in the other direction, portraying suicide either as something glamorous or as an inevitable consequence of mental distress. A key example of this can be seen in the novel and Netflix series "13 Reasons Why," both of which seem to portray suicide as a weapon that can be used to get back at someone. Some modern Biblical commentators have even gone so far as to argue that Sarah, the holy matriarch, might have been suicidal based on little to no evidence. What are some ways in which creators can portray suicide more respectfully? Is it possible to point out the harm that suicidal ideation does without making people feel guilty or ashamed for being depressed?

When most people think of the mockumentary sitcom series known as The Office, they probably think of the version from either the United States or the United Kingdom. However, The Office is a multinational phenomenon, with at least eight or ten countries having their own home-grown adaptations of it, which they use to make fun of their own work cultures. What are some highlights from these international adaptations? How do they differ from their more famous English-language counterparts? Are there any adaptations that, in your opinion, do not receive the attention they deserve?

The TV series "BoJack Horseman" is a surreal dark comedy that takes place in a world in which some of the characters (including the title character) seem to be talking animals. BoJack himself openly suffers from several mental illnesses, including depression and anxiety, but could he also have a psychotic disorder, like schizophrenia or bipolar disorder? Psychotic disorders interfere with people's perception of reality, which might explain some of the more surreal aspects of the series. It might even explain the talking animals, since psychotic illnesses can include a delusion that one is an animal. So, what is the evidence for or against BoJack suffering from psychosis? If he does have a psychotic disorder, what kind does he have?

It's relatively rare to find fictional children who act like real children. More often than not, fictional children talk and act like miniature adults. Oftentimes, this is a deliberate artistic choice, which may either be played for laughs (as in Rugrats, The Simpsons, or South Park, for example), or used to show that there is something seriously wrong with the child in question (as in The Umbrella Academy, and many anime series). On the other hand, some creators seem genuinely unable to fathom how children think and behave, and so write them behaving like adults by default.

What are some examples of stories that portray children this way? What, if any, differences are there between stories that portray children acting like adults for artistic reasons, and those whose writers simply don't know any better? What effects, if any, do fictional portrayals of unrealistically-mature children have on how people view children in the real world?

A biographical film, or biopic, attempts to document the life of a real person or organization on film. Some examples of famous biopics include Schindler's List (for Oskar Schindler), A Beautiful Mind (for John Nash) and Selma (for the American civil rights movement, including Martin Luther King, Jr). Who are some examples of people, living or dead, that would make good biopic material? What is it about them that suits the biopic format? If a biopic were to be made of them, what details would need to be included?

In some stories, the main character's love interest seems designed to be an almost perfect mirror image of themselves. These characters' lovers share their same personalities, tastes, and motivations, and might even look something like them. "The Umbrella Academy" is one notable show that does this. So far both seasons feature a central character falling in love with someone who is almost exactly like themselves (Vanya in Season 1 and Diego in Season 2). What are some other examples of this trope? How popular is this phenomenon in fiction and what factors contribute to it?