Analyse the different ways written and/or spoken word and poetry gets integrated into visual art pieces. These can be artworks where words are used as a visual cue, as an integral part of a performance narrative or any other way. What is the link between the sound and image of a word/poem? What effects does it produce on the viewer/listener? Can words be used as a visual element only? Examine instances where classical poems are reworked through a ontemporary lens and reused in a modern context.
Would also be interesting to note the differences between reading a poem and hearing the same poem read aloud or performed. How does this change our interpretation? What aspects are different? Emotion, pauses in breath, etc – kaitfitz1 year ago
In ‘Macbeth’, Shakespeare substantially emphasizes the male-female relationship and gender dynamics. Shakespeare shows the relationship between gender and power which can be related to the patriarchal discourse of early modern England. He portrays women as major determinants in men’s actions. Men are portrayed as strong willed and courageous, but a female character such as Lady Macbeth is also given a ruthless and power-hungry personality, which was, in that era, typically associated with masculinity. She is a strong character who is deeply ambitious; her role in ‘Macbeth’ becomes important because it further explains Shakespeare’s presentation of women characters. Lady Macbeth is associated with supernatural subversion as well as sexual temptation – the question is, how did she use her femininity to disrupt her environment and what does her character teach?
think this could be examined through a lens of either upward or downward comparison: does seeing depictions of suffering more significant than ours elevate ourselves and make us feel better about our own relatively insignificant problems, or does viewing suffering as adjacent to our own validate our emotions and allow us justification to be upset? – FANLOVE1 year ago
the reality is that people actually feel elevated when seeing depictions of more suffering when it is more than what they are going through – FANLOVE1 year ago
How do famous works of existential philosophy: particularly those published in the late 19th/early 20th century fit into the role of human extant today? Specifically to the younger generations that are experiencing a deep uncertainty and fear towards the future? This can be drawn from works by Hermann Hesse, Nietzsche, Camus, Sartre, etc.
This is an interesting topic. I do think history repeats itself and that there is a lot to learn from philosophy. Also, learning from how humanity survived other hardships and catastrophes is a good thing for people today as well. – birdienumnum174 years ago
I also hope someone will write about this topic. But to me, the more interesting perspective is how older people feel about their value and relation to the society given that the pandemic hits them the hardest and there is a growing sense that we may scarify the old and weak so that we can reopen the society for younger people, who are eager to work and socialize. – ctshng4 years ago
"Existential" a word which I remember being confined to a more narrow understanding of specific writers, such as Camus or Nietezche, has now seemed to touch many things. As part of an essay addressing existentialism should be how it has been adapted and seems to pop up everywhere. – Joseph Cernik4 years ago
The School for Good and Evil is a middle grade fantasy series that received a film adaptation earlier in the year. Beyond the occasional reference to various faiths, the series does not incorporate explicit religious subject matter, but I would like to analyse the unintentional religious subtext I have interpreted from the narrative. I believe there is scope for a discussion of how the series inadvertently engages with concepts such as predestination and the existence of a supreme being.
“Predestination” is the idea that God chooses which people will receive salvation and which will receive damnation prior to their creation. As the title “The School for Good and Evil” suggests, the books are set in a world where some people are similarly designated as “Good” and others as “Evil”. Within the story, membership to “Good” or “Evil” is not determined by a character’s actions, but instead, is determined by one’s soul at birth. By presenting a person as intrinsically “Evil” or “Good”, the book echoes the religious idea that a soul is predestined to Heaven or Hell.
The School for Good and Evil also inadvertently presents the idea of a supreme being through the “character” of the Storian. This may sound strange to those unfamiliar with the books, but the Storian is a sentient, omnipotent, and powerful magic pen that preserves the balance between “Good” and “Evil” and chooses people in the world to write about in real time. Characters do not explicitly worship the Storian, but it is treated as an ultimate authority. Two of series’ antagonists – one with an “Evil” soul, and one with a “Good” soul – are defined not only by villainous actions (eg. hurting others) but by their efforts to to replace the Storian as the supreme authority within the world. Through this, it can be suggested that the series engages with the existence of a supreme being and humans’ relationship to that god.
Yes! Yes, yes, yes...someone write this! (I would but haven't read the books yet and wouldn't have time to do it the justice I would like). – Stephanie M.1 year ago
‘Beauty and the Beast’ is a tale that is different from the popular fairy tales; it has a peculiar take on psychological, socio-historical, religious and feminist approaches. Unlike other well-known fairy tales that were written or told by an unknown storyteller, the tale of Beauty and the Beast is an original literary story written in a specific historical and political moment by a female writer, Madame Leprince De Beaumont who was also a governess.
The story of ‘Beauty and the Beast’ has been interpreted in different ways. Some claim that it is a love story that teaches us modesty and introduces the healing power of love. Others claim that it is a tale about female empowerment growing – the awakening of a woman and her psychological and sexual maturation. Some see abuse in a romanticized hostage situation – the Beast is seen as an egocentric sociopath who keeps Beauty as his hostage while she loses touch with reality and falls in love with him; an example of Stockholm syndrome. Oftentimes, ‘Beauty and the Beast’ is interpreted as a story about a conflict of genders and a fight for domination.
Like in all narratives involving love – any objectivity is lost; bad becomes good, ugly turns into beautiful, violence becomes tenderness and kindness, etc. ‘Beauty and the Beast’ and its motives appeals to modern society; it narrates our hidden wild side to us. Societal norms have civilized our wildness, but this suppressed wildness constantly finds a way of coming out in our social and intimate relationships. ‘Beauty and the Beast’ also speaks about ‘otherness’. How hard is it be different?
What does it mean to be a beast – is it something that one becomes while living or is one born with it? What is beauty? What is pure and what is dirty? What is pleasure and does it have more value in the society or should it be punishable?
Can beauty and wildness co-exist?
You are right Madame Leprince De Beaumont was the first (or, at very least, earliest) author of the story of Beauty and the Beast and it has spawned so many iterations since then. Each version contemplates a different aspect of the story, but I was always most interested in Angela Carter's "The Tiger's Bride". I think the general plot of Beauty and the Beast explores areas beyond the social binaries we have become accustomed to: purity versus perversion, beauty versus ugliness, pleasure versus continence, femininity versus masculinity, etc. To answer your question, I believe beauty and wildness are not entirely opposites and can co-exist. We could make the argument wildness is beautiful or beauty is to be unrestrained, but we can explore a bit further. Beauty and the Beast is timeless because these issues pervade society since civilized society was established, or perhaps even before then. I suspect we will continue to do so for the foreseeable future, but Beauty and the Beast allows us to explore these taboo experiences in such a way that we are safe to contemplate but left to continue participating in civilized society (hopefully with a new outlook). – iresendiz1 year ago
I really like this topic, but your thesis seems a little muddled. Bring it in--focus on one central theme. I think you're going for the juxtaposition of beauty vs. wildness, and/or the fact that the former can and does exist in the latter. Use that as a jump-off point when you (or whoever else writes this) explores the other interpretations of Beauty and the Beast--for example, whether it is in fact a romanticized hostage situation. – Stephanie M.1 year ago
This is a great topic as it has a rich history and has also gone on to inspire many reinventions and loose retellings of the same core story: to be loved in spite of perceived ugliness or flaws. In discussing the origins of this story, you'd possibly want to bring up the Greek Myth of Eros and Psyche (Cupid and Psyche in Roman mythology). Many early fairytales draw inspiration from the myth of Eros and Psyche, but especially BATB, with its beautiful heroine, a supposedly monstrous love interest, and several other key plot points that adhere to the myth. – Zoe L1 year ago
The poem Beowulf is relevant today primarily because of its traditional and ancient theme of the battle between good and evil. In today’s world, we still fight monsters in the form of tyrants or greedy and selfish people who can harm others. The characters of Beowulf, Grendel, and Grendel’s Mother are models of many types of fiction, such as King Arthur, the Movie Enchanted, and Mulan. The same issues that plagued society at the time of Beowulf are still relevant today. This topic would be interesting for comparing society and culture from a thousand years ago when it was written to the literature of the modern world.
The author of this article might analyze the characters and monsters of Beowulf and write about how these reflect the underlying demons and frightening problems in our lives. But instead, this ancient and powerful poem is as entertaining and compelling today as in ancient times, teaching us to fight evil and be humble in victory and gracious in defeat.
Relevance can also be extended in the archetypes of Beowulf, Grendel, and Grendel's Mother. Characters who parallel or draw from them can be seen in many forms of fiction. – Sunni Ago2 years ago
They can also discuss how Beowulf has influenced other works and set a precedent, thus making it still enjoyable since it’s contemporaries are also enjoyed – Anna Samson1 year ago
I’m sure most of us have all read a series, especially a YA series, that just never seems to end. I’m thinking about Cassandra Clare’s Mortal Instruments series, Sarah J. Maas’ Throne of Glass series… These series start innocently enough, with a good idea, and soon they gain a loyal following of readers. But once a series is officially considered a success, the prequels start streaming in, and the novellas, and the spin-off series, and the short stories. While fans can’t wait to read new content featuring their favourite characters, this has always left me feeling a little uneasy. Why can’t the authors let a series end? Is this just lazy writing? Are the authors monopolizing on the loyalty of their fans to make a buck? Is this just glorified fan fiction?
On the other hand, maybe it is a positive thing that a series can continue to churn our new content. Maybe that is the mark of a successful idea.
The author of the article could decide if a series that never ends is a positive attribute, a negative one, or something in between.
On one hand, a fictional universe could be so rich in worldbuilding detail that the reader may feel the need for expansion upon the source material even after its canon: they may seek closure for a particular character arc, or background on a breakout side character, or elaboration on the world's history or a background event... the author may choose to respond to this need, or not. Fanfiction provides a sandbox for the readers where they can write into existence the stories that they want, without intruding on fellow readers' expectations (or "headcanons", as they're called: assumptions about characters/events that may or may not be "canon", or verified in the official material.) On the other hand, if a author chooses to respond to this need, the way they handle the material will not be amenable to each and every reader and this can cause backlash. After the author concludes the primary story they were telling, the interpretation of the work is mostly left to the readers, whether the author likes it or not. When the author expands on the work, it must be a meaningful addition to the universe and it must also fit in with what we have previously seen of it. There is no point making additions if the new material is just the old themes rehashed with no new nuance introduced into the conversation. – Malavika3 years ago
Hi Mya,
Authors typically do this for a couple of reasons.
A. They originally intended for it to be a fairly long series to develop characters, introduce characters or just plot related things.
B. They see the money coming in.
C. They signed a contract that requires them to keep writing. I remember this being the case with an author being under contract to write a third book to their original duology. This was with an author who's books became a big thing in the film scene but unfortunately I can't remember the name. – AshleyEstrada3 years ago
One example of a franchise that has far outstayed its welcome when it was a perfectly decent five-book series was Percy Jackson. Loved those books as a kid. I even liked the next round of books in the series that followed his Roman counterparts before eventually bringing him back into the fold. However, I totally lost interest after yet another series set in the same universe began to follow Apollo. I read through the first book in that series and it's certainly everything you come to expect from those books but there is an awful sense of treading water with the same ideas and concepts that have seen different variations throughout the plot. Then there is the additional Egyptian/Norse elements that were added in (and somehow taking place within the same universe). There's more than enough mythic material to work from, obviously it's worked in Rick Riordan's favor, but a good idea to focus on is where the attention span of the reader starts to get lost along the way? Then again, Magic Tree House has 34 original books and 55 Merlin Mission books so who knows? – Runestrand3 years ago
I don't think extending a series is a good or bad thing. Authors are going to profit from their work as much as they want and as long as their readers allow them. – T. Palomino2 years ago
Interesting topic to explore. Especially when a book series is picked up as a movie or show and the author is pressured to put out more content – Anna Samson2 years ago
This is a very interesting topic to touch on. I think just going into a book store and seeing the amount of series packed into the YA section is enough to know that sometimes things get a little out of hand. I don’t think it’s ever really lazy writing though, I definitely think, at some point, so many of these authors are cashing in on their idea or trying to push it to a point where they can get a film or series greenlit. If the universe is big enough, then an author can definitely have multiple books, prequels and spin-offs that are done well. It just depends on the depth of the world and characters. Planning is everything a lot of the time. Cassandra Clare is definitely a great example as well! There are so many books within the Shadowhunters universe and find all of them to pretty much the same. – pipermarie20022 years ago
Contemporary (South Asian) Indian fantasy literature is heavily based on its rich history of culture and mythology. However, to grow as a genre (by creating stories that exist outside of/apart from our multiple readings of preexisting myths – stories that are original), does it need to explore stories and characters, other than the ones that already exist in cultural consciousness? (By this I mean the stories from mythology that are widely known [in India] and are passed on through generations).
I think it's interesting considering that these are things that people actually believe...I wonder if calling it "mythology" is actually a bit offensive. – nimraahmad1 year ago
