Anime as a genre and a community has far outclassed those of any other form of cartoon media. What is it about the Japanese shows, which vary through all sorts of story genres and artstyles, that come together to create such an appealing platform for all ages? Why is it as popular as it is?
I like the premise of this, but I'd point out that there are so many forms of Anime this may be a hard topic to tackle. Maybe try to pinpoint a particular genre or style of anime and look at it's popularity, versus anime as a whole. Yes they are all Japanese animation, but it's all so diverse it may not be possible to view it as a whole. – alexpaulsen6 months ago
I think one of the most appealing things about anime is how different and fresh it feels. I know a common argument most people will bring now is that the anime industry has been milked out and all the interesting essence to it died off in anime's golden age at the late 90s and the early 2000s, but anime still does one thing that most mainstream series or movie blockbusters fail to accomplish, it has the ability to make an audience feel and understand the emotions and feelings of a character and thus comprehend the amount of weight each one of their actions will bring not only to the furtherance of the plot but towards them, their relationships with the people around them. It allows us the viewers to not just view the story, but be a part of it. That's what makes anime so damn appealing and enjoying as an advocate anime fan. – Yao6 months ago
Anime is mainstream, there is no question about that. Yet, why is there such a lack of intensity of discussion about Japanese movies that aren’t animated, with the exception of Akira Kurosawa’s films, especially Seven Samurai and Rashomon? Any thoughts on what is causing this? Feel free to add any information on Japanese cinema and animations’ reception internationally as well.
I'd remove the commentary, it removes some of the professionalism from your topic. Maybe phrase it more as why are more mainstream works the only ones we as American's value instead of here are these things, they're good but not good enough. Maybe move focus to why are these pieces mainstream, why have they gained this popularity, as opposed to these are popular do you agree. – alexpaulsen6 months ago
Based off what I've seen at the youtube channel censoredgaming the only reason western audience really follow anime now is due to the fact that it was easy to turn a profit off them. In the early nineties when networks had the Saturday morning cartoon blocks many channels would fill them with censored and poorly translated animes because they could pay the (at the time) rookie voice actors very little. So all they really had to do was pay for the licensing fees. This lead to a boom in the popularity of anime (which before that was more a subculture thing). I would say that is the main reason for the people not watching Japanese film. – Blackcat1305 months ago
I think another important aspect to add onto Blackcat130's critique) is whether or not this helped influence Japan being more recognized for its animated media? For instance, despite Japanese films being unpopular, you could look at Studio Ghibli and how internatinally renowed and respected the company is. – Mela5 months ago
I actually have an issue with designating anime as "mainstream." Certainly, some titles have wide reception (Pokemon, DBZ, Attack on Titan, etc.) but these (arguably) successful examples don't mean that the anime medium as a whole has become "mainstream." Anime is as much of a niche market today as it was during the boom in the 1990s. While it does enjoy increased consumption throughout the world and more appreciation even back at home in Japan, there is still a slight stigma towards those who enjoy anime, due to many reasons (pedophilia, violence, and occultism for example). So yes, anime may have a slightly more positive reception and appreciation among a wide audience but the designation of "mainstream" implies mass public approval, which the medium surely has not obtained. – Ma-kun3 months ago
Well, after witnessing the recent crunchyroll anime awards and laughing spectacularly how much loss potential that the award show was, I started questioning what makes a show great, let alone to be the best. Does it have to be a show that’s critically acclaimed by not only critiques but the general audience? A show with great animation, story and music, or something that is just dumb fun to watch and yet interesting not to get bored after a few episodes? I’m curious to hear your opinions on this topic.
One of the problems a topic such as this will inevitably face is the perennial 'Best versus Favourite' debate. All anime fans have their favourite films and/or series, so by its very nature favouritism is subjective and the same applies to what is 'great' or 'the best'. We can probably all name at least half a dozen websites and countless You Tube videos that list 'The Ten Greatest Anime Shows' or similar, but those are rarely, if at all, objective in their lists. Critics and critiques alike are no different - just take a look at the variance in reviews and critiques that appear on Rotten Tomatoes; what one critic will applaud another will pan and having a degree in 'Filmology' (sic) doesn't guarantee that critic has 'good taste'. Even popularity is no guarantee of quality so perhaps the only way to truly judge a show's worth is the test of time and how our opinions about it may (or may not) change over the intervening years. Do we perceive the show differently after 10 years have passed? Does it still seem fresh or even relevant or is it so hackneyed that we cringe at thinking how we once enjoyed it so much? That's just my two-penneth worth, but I'm sure others will have equally valid opinions; still, I'm going to add my approval and I'd be interested in others' comments. – Amyus6 months ago
A look at a few anime tropes that might make the genre inaccessible for newcomers and ones give the genre the reputation of being for teens and adolescents. Are there good examples of Anime that avoid these tropes, or anime that subvert the tropes?
Fantastic topic because I think it opens up discussion about what preconceptions about anime newcomers often find to be true through repetition of these tropes and how they are avoided. – AdilYoosuf10 months ago
I agree with AdilYoosuf, though I have to admit to having a bias in favour of anime as a storytelling medium. I've often found that when trying to explain the reasons why I enjoyed the Haruhi Suzumiya anime series and film (subtitled not dubbed) that as soon as I mention the words 'teenager' and 'school' the shutters descend. I think one of the problems is that westerners in particular tend to have grown up watching cartoons on TV so presume anime is no different and won't give it a chance. As for good examples that subvert, or even invert, tropes then I would have to suggest Satoshi Kon's excellent series 'Paranoia Agent' and Kyoto Animation's 'The Melancholy of Haruhi Suzumiya' (to name but a few) as both subvert genres and tropes whilst demanding the viewer thinks for him/herself. Anyway, you have my approval for your suggested topic. – Amyus9 months ago
Recently several popular anime shows have been remade into live-action versions, e.g. Death Note (in several versions), Itazura-na-Kiss, Dragon Ball Z, etc… Many have been either unsuccessful and disappointing to fans (the example that comes to mind is the Avatar the Last Airbender!) or, more recently, have engaged in the unfortunate cultural appropriation of characters aka "whitewashing". What is behind the apparent difficulty of successfully remaking these fantastic stories into live-action form – is it the difference in mediums? Is it idiosyncratic to the directors/creators? Is it pure coincidence that no examples of a successful adaptation in popular cinema/television come to mind, or is this a systematic trend?
Using examples from my own memory, I feel it is both medium and a disconnect between directors and fan-base that can result in a failed remake. Often times, it is the animation style that aids in both delivery and overall success. Also, sometimes directors/creators can miscalculate what aspects of a show are responsible for its success. For example, a show that gains popularity for its wit and character development can be poorly mistranslated so that the action aspect of the show overpowers other components. – BreannaWaldrop1 year ago
Studio Ghibli’s films, even in their English dub, incorporate subtleties about Japanese customs. For example, When Marine was there presents a Japanese festival scene and Spirited away and Princess Mononoke both present ideas of gods and spirits. Even though all of Ghibli’s films are fiction, to what extent are true Japanese customs presented ?
Maybe expand a little more on what would be the main argument in the article? Will it only focus on Japanese culture or Eastern culture (then what is Eastern culture?), etc. – L.J.1 year ago
To extend Birdienumnum17's commentary, perhaps you can selectively focus on a specific aspect of Japanese custom and culture that anime insightfully represents. For instance, select relevant animes that lend some perspective about the concept of friendship in Japanese culture. – minylee1 year ago
Also, how are these Japanese customs being represented, are they being distorted, exaggerated, etc.? And what does this say about the orientation and commentary that Studio Ghibli is trying to relate through these films, if any? – Jonathan Judd1 year ago
I’d like to hear someone explore the fan interest in World War II, but rather how it crosses over into Japanese animation and graphic novels. I have noticed that there has been a growing presence of WW2-inspired anime and manga such as Kantai Collection and Girls und Panzer. I think it would be worth discussing the Japanese view towards their own role in WW2 and how this view has led to a different handling of the subject in Japan. In many anime and manga, one can see that there is a hesitation to portray Axis-aligned countries strictly as villains. Often times, I have seen Axis-countries being portrayed from a neutral position like in Girls und Panzer and Axis Powers Hetalia, or WW2-esque settings being entirely re-written and replaced by alternate settings like in Strike Witches or Sora no Woto.
Now a days the new anime that come out either depict two of the following: 1) Action w/ a romantic interest who barely has any clothes on or 2) A romantic interest who’s over-sexualized. Most of the time it’s a combination of both.
The question now becomes, does the over service of ‘fan service’ take away from the anime itself (artwork, story line, and character development)? Or does it bring to the table something that we have yet to notice? (This I doubt, but just to cover the basis and everyone’s views).
Examples of these would be: Free!, Food Wars, Keijo!, and Okusama ga Seitokaichou! !.
I think the question you need to address here is the time frame. Anime is becoming more fan-service oriented compared to... when? Fanservice has been a massive presence in anime, especially that oriented towards the Otaku crowd, for well over two decades now. Even widely regarded and relatively ancient anime series like Neon Genesis Evangelion (1995) included lots of tongue-in-cheek fanservice, even advising fans to come back next episode for "more fanservice!~~" I think a great watch for researching this piece would be the 1991 anime mockumentary "Otaku no Video," which takes a comedic look at the original generation of anime nerds... as well as the origins of fanservice. You could possibly contrast the contemporary shows you mentioned with older material: Did older series have as much fan service? Did they integrate it better? What makes it seem like fanservice is always increasing in anime? Are the *premises* for these shows getting more fanservicey? (I do have to say, I couldn't imagine Keijo! coming out 10 years ago, ahhahah~) – PeterThelonious2 years ago
Fanservice has always been present like PeterThelonious said. I don't think fanservice takes away from the plot as long as it's not the central focus. There's plenty of anime that incorporates fanservice but also has good storylines. Another example would be Code Geass – seouljustice1 year ago
While an interesting topic for discussion consider looking at it from a cultural perspective. Japan does not have she same Judaeo-Christian outlook on the human body especially breasts as can be seen in many of their gag gifts, video games, and Anime itself. They merely see the human body as that, the human body that's nothing to be ashamed of. So maybe try looking at this from a different cultural perspective and see if that helps or not. Hope the advice helps! – GingerSavvy1 year ago
While an interesting topic for discussion consider looking at it from a cultural perspective. Japan does not have she same Judaeo-Christian outlook on the human body especially breasts as can be seen in many of their gag gifts, video games, and Anime itself. They merely see the human body as that, the human body that's nothing to be ashamed of. So maybe try looking at this from a different cultural perspective and see if that helps or not. Hope the advice helps! - GingerSavvy – GingerSavvy1 year ago
We all know how popular shows such as "one punch man","naruto", etc. have been received here in America but how has the mainstream attention to anime effected the industry as a whole. What do you think of the working conditions for the Japanese animators as well as the quality being delivered, is anime progressing, or is it stagnating or even being degraded? What do you think?
Anime has always be a popular form of entertainment for teenagers and young adults, but do we think those teenagers and young adults will stick to their enjoyment of this genre? It is not uncommon for people to outgrow certain things, but I am starting to think many adults will be inclined to continue to enjoy anime and all that comes with it.
Anime has a much farther reaching influence and personal inspiration for people than typical cartoons do. There are certain similar aspects to both with the more comedic or simplistic animes. But I've had friends who told me that anime changed their lives, it helped make them stronger and better people when they grew up. So I feel less certain about certain people "outgrowing" it. But, realistically, even I have found myself turning away from certain things that I used to think were important to me, and yet I'm also finding where other things are still firmly cemented. The way I look at it, anime is not something so small that you can just toss it all aside because it doesn't relate to you anymore. There are so many sub-genres, styles, stories, and levels of maturity, that I treat each anime the same way I treat anything else: on a case-by-case basis. Maybe one day I'll decide to stop looking out for new animes, or watching anime tv series the same way I have (which honestly have never been all that frequent), but the shows and films that I have watched, and have greatly enjoyed in very recent years, I don't see myself ever turning a blind eye to. They are very engaging, very well crafted, and they deserve my patronage and viewership for a very long time. – Jonathan Leiter3 years ago
As someone who read/watched a lot of manga/anime when I was younger but fell out of the habit of it as I grew older the thing that brings me back to the mediums is something unique and genuine. I found myself growing increasingly impatient with agressively 'anime' tropes and genre conventions.
I find myself rarely bothering to even attempt watching high-school anime because I feel like the premise has been so overdone. Likewise there have been a number of anime whose description I read and interested me until it said "in a high school". Maybe that's just my own preference but I think the main reason I've fallen out of watching anime for the most part is from what I precieve as stagnation. While I grew up and developed more sophisticated tastes the anime industry seems to be committed in large to putting out the same 'cute girls doing cute things in a school' ad naseum. – MattHotaling3 years ago
I have met many adults who have returned to anime and animation. Many adults even discover it when they are older. In Japan, at least, many animes are aimed at adults, and contain content that would certainly not be appropriate for younger viewers. Even in the US, where most animation is aimed at children, there are some animes that have gained an adult audience (most notably the classic Hayao Miyazaki movies). Perhaps it is the youth-culture aspect of anime that prompts adults to lose interest, or perhaps it is simply because the US doesn't have a good way to market adult-oriented animations? Many of the adults I know who watch and enjoy anime do so from outside the mainstream market, streaming anime from free online sites. Anime is certainly able to attract adult audiences, but perhaps its not as popular because it is a little harder to find. – sophiacatherine3 years ago
The more gritty, edgy, mature series are the ones that are hard to stumble across ("Michiko to Hatchin," "The Woman Called Fujiko Mine," "Black Lagoon," "Hellsing Ultimate," "Ghost in the Shell: Stand Alone Complex," etc.). These shows are also not the ones easily streaming on any major site like Netflix, Amazon, or Hulu. Whereas shows that focus on adventurous teenagers in magical lands, or slice-of-life high-school moments, are the ones that permeate the US market. – Jonathan Leiter3 years ago