The third season of Netflix’s series appears to take a big turn towards scenes of "violent" sexuality in its most recent season, almost contrasting that of it’s previous two seasons where there is minimal to no scenes of sexuality. Nonetheless, they do have significance for individual character arcs.
Is this what audiences demanded? Are audiences taking it well, or will it turn off some of its core viewers? How does Castlevania’s video game community react to Season 3? And how do these scenes of sexuality change our previous understandings of characters?
This is an interesting topic to explore. This was something I also noticed when watching the 3rd season. I felt that this was a drastic shift compared to season 2. I think that we will have to season how these characters stories progress in season 4 to fully see whether these scenes were effective/necessary. Alucard's scene seem to hint at a dark road for him ahead, so we may have to wait til season 4 to see if those scenes provide to be critical. – Sean Gadus1 year ago
Existentialism is often seen as a depressing philosophy, but I ultimately see it as a hopeful response to absurdity–a struggle for meaning and maybe a better life, whatever shape that may take. On that line of thought, popular shounen series with their various "never give up!" themes and questioning of humanity, morality, religion, and so on, seem to fit right into it. Naruto in particular reads like a bonafide Kierkegaardian Knight of Faith.
Does shounen anime/manga seem existentialist? If so, what kind of specific existentialist themes are in play? Does this help readers coming of age prepare for life by giving them a taste of having to figure things out in the face of adversity (and absurdity)? Or does it exceed itself and become naivety?
More broadly, what’s the relationship between philosophy and fiction? Does fiction “play out” the ideas of philosophy, or does it create its own philosophical ideas?
Interesting topic. Shonen is all about existentialism. In any Shonen anime, especially those like Bleach, Naruto and Fairy Tail, willpower goes a long way. Whoever has higher will has higher power. – SpectreWriter5 years ago
This is a really cool topic -- if I knew more about existentialism I would write it. I think it's important to take into account Japanese philosophy and culture and how that affects the writers of shonen manga and anime. – Chris5 years ago
I would love to read this article!!! – Abie Dee8 months ago
Analyse both the contemporary and past trends in anime and decide whether representation of different race of people is required or not considering the fact the amount of liberty an anime creator enjoys. Also, if representation in anime is a need of the hour as many people believe the sheer ridiculousness in shonen anime character style does not require characters to resemble real life human beings.
I think any attempt to discuss racial diversity in anime needs to take into account that the Japanese have their own ideas about what constitutes "diversity." Japan isn't a very racially-diverse nation, so when Japanese anime and manga attempt to depict diversity the discussion tends to center more around things like social and cultural class, or, in some cases, the few minority ethnic groups that exist (like the Ainu, who feature prominently in "Golden Kamuy," for instance). One anime that's rather famous for exploring the various forms of diversity in Japanese culture is "Samurai Champloo." Obviously anime that don't take place in Japan need to be more conscious of different races and cultures than those that do. I also think cultural provincialism is a bigger problem in a lot of anime than racism as such. I've seen anime that were set in "white" nations and featured white characters that still struck me as very insensitive, because the creators make everyone whose opinions matter (and even some who don't) behave and react the same way a Japanese person would. – Debs11 months ago
It could be helpful to examine how genres treat race. For example, historical anime would likely have a limit on which races will be depicted. Also, stereotypes can be a problem in anime. – Jiraiyan10 months ago
I’ve seen topics where people look at yandere games, financial success, etc. However, I don’t think anyone’s taken a good look as to why yandere is so popular. What is so appealing about psychotic stalking girls? As someone who is still very new to anime (even after 18 months!), I’d like more of an explanation about yandere, whether you can be a boy to be a yandere or if it’s strictly a girl thing, and whether yandere characters like Yuno Gasai have had a negative impact on adolescent and teenage girls. This would be a very fun article, especially as, again, Yuno Gasai remains one of the more popular anime girls because of her yandere status.
What lies in a yandere's past? What drives a yandere to become psychotic? What was the turning point or defining event that decided her future as a yandere? Every villain(ess) has a past and a backstory. It might also be worth considering that a yandere could actually has a positive influence on the life of an adolescent/teenage girl - by effectively offering her an avatar through whom she can explore her own darkness without resorting to violence or mayhem in real life. We all have shadow selves, whether we choose to accept them or not. – Amyus11 months ago
I agree, exploring the yandere trope from a female perspective would be very enlightening. I myself am not super well-read in it, so I can't offer any insight there, unfortunately. It probably also has to do with gender roles in Japanese culture, and a male fantasy of being desired and needed--even if it's excessive and dangerous. – Tylah Jackowski11 months ago
I can say for a fact that the yandere archetype is in no way exclusively female. I've seen plenty of male examples. That said, it does seem to me that the male version of the character is more likely to be treated as an outright villain and less likely to actually get into a relationship with the love interest (unless it's one of those weird stories about romanticized abuse). Another interesting angle to explore may be the distinction (if there is any) between a yandere as such and a character who just happens to get into or seek out a toxic relationship, without it being a defining aspect of the character. How central to a character's personality and arc do their mental problems and relationships with others have to be before they can be called a yandere? – Debs11 months ago
In the Shokugeki no Soma anime, we can see a diversity of delicious dishes from around the world with exotic ingredients, in one chapter they prepared "Causa Limeña" a famous Peruvian dish prepared with potatoes and seafood. Do you think this anime encourages you to cook and learn about international cuisine?
Whoever writes this should compare the "exotic" foods, as well as look at who the chefs are (are they international chefs? Why did they choose this dish?). Also, see if any interest in international cooking was sparked in Japan when this anime aired. – OkaNaimo081911 months ago
Because Hayao Miyazaki has been the most well known renowned figure of studio Ghibli, many people sometimes forget that he’s not the only ingenious individual at work. Isao Takahata the co-founder of studio Ghibli has also made many good films amongst them some are on a par with Hayao Miyazakis work and some of them even greater than Miyazaki features. Don’t you think?
I think if anyone is taking this topic, they should explain who Hayao Miyazki and Isao and Takahata are as not a lot of people know the Ghubli studio.
Indigenous films should be talked about more.
Can't wait to see how this article goes. – Amelia Arrows1 year ago
For anyone thinking of taking on this topic suggestion, I'd recommend first reading an article published in the Artifice on 1st April 2018, written by Matchbox: https://the-artifice.com/isao-takahata-retrospective/ It addresses the issues raised above. On a personal note - I'd love to see more written about Isao Takahata. A fascinating character in his own right. – Amyus1 year ago
This topic involves an examination of the animated opening/ending credits sequences that bookend most popular modern anime. In anime, an opening credits sequence often highlights main characters, hints at plot arcs, and features the names of studio staff, all while synchronized to music. Analyze how an opening may influence the "tone" of a show, and how that may correlate to sub-genre. What does a "good" opening sequence do for an anime? What does it do or provide for audiences? Perhaps look into the history of opening/ending credits sequences in anime to compare how fans view & share these openings today online. (I had some trouble coming up with a catchy title, so any and all suggestions are welcome!)
Hmm, for title suggestions, maybe something like "How an Anime's Opening Affects Its Audience's Expectations" or something in that vein, since the focus seems to be on how the opening sets the mood and expectations for those watching. – Emily Deibler1 year ago
^Agreed with the title suggestion.
It will also be interesting to analyze how a great anime opening/ending has furthered the career of singers/musicians/artists. For instance, I am automatically attracted to any songs from Asian Kung-Fu Generation used for an Op or Ed. I have discovered this band thanks for anime but now, I find myself "liking" shows thanks to their contribution. – kpfong831 year ago
Interesting! I think openings are a really good set up to anime series and some are surely better than others. I think the soundtrack/opening song may also be a big factor here as well, not to mention the art work or the showing of the stories. For example "Yona of the Dawn's" opening is one of the few animes that uses just instrumental as opposed to a song with lyrics. In addition, it recaps a bit of the story. Other theme songs have lyrics that are written in the character's point of view, introducing you to their world. Carole and Tuesday is a newer anime that used beautiful art to captive its audiences. Older animes like Sailor Moon were also very creative and used different elements to get the audience captivated. For a title you could do: The impact of the Opening: How the opening sequence of an anime has evolved and impacts its viewers. – birdienumnum171 year ago
Mob Psycho 100 is a series from the creators of One Punch Man. Focusing on the title character of Shigeo "Mob" Kageyama. Mob is a esper, he learns as a child that his powers are link to his emotional state. As a result he is emotionally muted and appears with a blank expression. He has no friends (in the beginning) and is social awkward. In contrast, the character of Reigen is the opposite of Mob.
Reigen is the boss and master of Mob. He is a con man, whom, uses the power of his words to manipulate his clients into believing he is helping them with their problems. A common theme that is brought up in the series is the idea that Mob’s psychic powers are one aspect of him and he is no better than other’s. Reigen believes that his powers are really no different from someone who can sing, dance or play a sport. Basically, everyone has something special about them.
Explore the theme from the series, that we all are special in different ways. Question what the difference between being ordinary and extraordinary is. Explore how the various characters, specifically, Mob and Reigen display the theme.
Yes, so much yes. The idea of "being the protagonist of your own story" is a great theme to delve into, as well as the emotional lessons of the story. I would also touch on additional characters and how they negotiate having powers, i.e. being special, with their level of emotional maturity. Ristu, Serizawa, Sho, Hanazawa, and Toichiro all cope with being "special" in healthy and unhealthy ways. I'd be very excited to read a piece about this. – Eden2 years ago