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Latest Topics

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Published

Relationships in romantic comedies

Many of the relationships portrayed in romantic comedies are presented as fun and flirty in the film, but would be considered abusive in reality. Stalking and other abusive behaviours are common to the genre. Power imbalances are also common. Everything is put aside so the female protagonist can be made whole by finding a male partner. Much of what the genre presents as romantic or funny would be good reasons to call the police in reality, so why is it acceptable in the movies?

A good example would be Sweet Home Alabama, in which the female protagonist goes back home to try and get a divorce from her husband who she hasn't seen in years. He refuses to sign the divorce, forcing her to stay longer and doing everything he can to try and force them back into a relationship. In 27 Dresses, the male lead defaced the protagonist's planner and lied to her about his intentions. There are almost as many examples as there are rom coms.

  • This is an interesting topic considering what is going on in the film industry right now. It might be worth considering grouping this topic with the #MeToo movement. Another interesting note is Molly Ringwald's interview about The Breakfast Club. I'd also think it is important to discuss more recent romantic comedies (last year or two) since they more accurately depict the film industry we are dealing with now. Obviously, sexism has been a problem but there is a change going on right now so it is very important to consider. – Connor 6 years ago
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The appeal of an anti-hero and should they be idolized?

Is it because they're more human than the traditional hero (see: Captain America, Superman, any character who is Inherently Good and Morally Right). There are studies that have shown that people like to watch/read about characters who are on good moral high ground, that they feel elevated by this. So then, why are characters like Deadpool, Loki, Severus Snape, Robin Hood–even Jack Sparrow–so popular? Are they easier to relate to? Should they be idolized, as may be seen with the more traditional heroes?

  • in many ways the anti-hero is often idolized for their ability to make their own rules. opposing the traditional hero, who is bound by moral imperatives set by society which may often weaken them or cause them mental/emotional anguish, the anti-hero is often shown as disregarding the social/moral law in favor of their own rules. Friedrich Nietzsche and Plato write about this phenomena quite a bit, their work may provide a nice starting point for anyone who chooses this topic. – ees 6 years ago
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  • There's too many 'superheros' these days, who wouldn't want to be a villain or anti hero, they can sometimes be more relatable. Even though we all love a good hero as they can depict the good in the world, even hero's have their problems and anti heros or villains more or less are truthful about those demons which in my opinion is more entertaining I have recently started to watch Gotham and the young Joker character played by Cameron Monaghan is so inspiring to be, as a hopeful writer and lover of film and television, he is a villain and evil but he has such profound emotions and the actor makes you feel like his feelings are real even though he is portraying a character – ambermakx 6 years ago
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The Enduring Three Stooges

Moe, Larry, and Curly (forget Shemp, Joe Besser, Curly Joe) made movies between 1934 and 1946 and still are popular today. Almost anywhere in the country a TV station is running Three Stooges short movies. A song called "The Curly Shuffle" was made in 1983. Sam in the TV series Cheers frequently referred to the Three Stooges. MASH had an episode in which three Korean doctors were referred to as Moe, Larry, and Curly. A movie was made in 2012 and one is scheduled to begin production in 2018. Why is there such an enduring affection for these three characters more than seven decades after Moe, Larry, and Curly made their last short movie?

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    Are Horror Movies Dying?

    With the rise of technology over the last decade, horror movies and the horror genre have drastically changed. Is this because of lazy writing and producing that relies on cheap jump scares or is it because modern technology has ruined the terror of isolation?

    One reason why horror movies worked so well in the past is because the technology we have today did not exist. You couldn’t just whip out your smartphone and go on Google Maps. If you forgot your wallet you had no money, period. You couldn’t pull out your phone and paywave instantly. The characters had no one and nothing to rely on except themselves.

    So what are your thoughts? Watch any past horror movie and pretend it’s set in 2018 and I can guarantee you the movie would be over within the first half an hour.

    • The fact that advanced technology exists does make an interesting point, but maybe what also could be explored is the shift in storytelling. What are the differences between the characters and topics included in past and present horror films? Do modern horror films rely on too many clichés, or not enough? – Gabby 6 years ago
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    • Horror movies have definitely changed with the rise of digital tech, but I would argue that they're nearly as prominent in the mainstream as they were during the 80's horror boom in terms of sheer output. There are even horror movies that make explicit use of the internet as a catalyst for horror, like Unfriended (2014), Megan is Missing (2011), and The Den (2013). This isn't to say that those are good movies necessarily, but they still manipulate the technological advances of the day the same way Scream (1996) and One Missed Call (2008) used early cell phones, and The Ring (1998) used VHS tapes. There are also recent, successful horror films that still make use of the terrifying sense of isolation that cell phones eliminate, like Get Out (2017), Split (2016), and The Babadook (2014). Smart phones and the internet can be obstacles in terms of building tension, but they can also be assets. We live in a world where abduction, trauma, and even allegedly supernatural occurrences still befall people regardless of their access to mapquest or emergency services. We still have weak points; it's the horror writer's job to find and exploit them in fiction. – TheCropsey 6 years ago
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    • This is an expansion on what Gabby and TheCropsey stated already. I'd agree that there is an increase in cheap/lazy horror movies but I don't think they are necessarily dying. In fact, I think they are on the rise again. With films like Get Out (2017) and A Quiet Place (2018). There are plenty of other films, but these are two strong examples of well-crafted horror films in the new age. I think it is important to consider the reasons why there are more horror films succeeding recently. Technology inhibits telling horror stories the same way as the past, but that doesn't mean they can't adapt. Some films even play on this. But other films like the two I listed earlier, along with It Follows (2014) and others, can work even in the confines of technology. The shift in storytelling is important, since some horror films can still work even if based in a different time period like The Witch (2016). There are a number of factors to consider, and this topic can easily work, I think it just has to cover how horror has shifted storytelling tropes and ideas for a 21st century audience. – Connor 6 years ago
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    • I don't think horror movies are dying. Rather, they're being reinvented for audiences familiar with the genre. We've become quite used to typical elements of horror (e.g. supernatural creatures, out-of-shot shadows) that we've vicariously speculated on how to defeat them. While technology can limit that sense of isolation, there are other ways it can pronounce terror. Reliance on technology can ratchet up a false sense of security before it all goes the hell. I agree with what's been said already; horror is in the storytelling. It's up to the writer to decide if they want to write a horror movie that only checks the boxes, or one that goes beyond that, and craps on our hastily built failsafes. – Starfire 6 years ago
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    • I do agree. Horror movies aren’t the same and they either aren’t scary or they are remakes of originals. – 2klonewolf 6 years ago
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    • Technology itself can actually provide a sense of horror that was not present in previous decades. I think of Black Mirror's emphasis on isolation, misplacement of identity, dehumanization, and other horrific symptoms of advancing technology. Definitely lots to work with if you're willing to evolve with the times. – Heather Lambert 6 years ago
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    • It might be interesting to consider the pros and cons of technology and cgi in horror movies. Yes it can be overdone and over saturated depending on the type of horror movie but special effects have improved drastically over the years and now some costumes and special effects are what make the movie. If you look at the original Friday the 13th with Kevin Bacon's horrible fake neck for his scene I for one am thankful technology has improved since then. – Emily Murphy 6 years ago
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    Princes and Masculinity in Disney

    Analyze what idea of masculinity is shown in Disney films where princes are portrayed. What are the negative or toxic ideas of masculinity that are shown and what are some examples that may criticize toxic masculinity.

    • I think disney wants more princesses. They wants girl to feel empowered and portrayed more as heroes and not only men can be heroes too. They want more heroines. They want Girl Power. Disney doesn’t show a lot of masculinity. I feel like the only prince movie that made was Aladdin but he wasn’t a prince. There was a princess who was Princess Jasmine. I think disney shows masculinity as a man being the true love kiss when really its not always about that and they showed that on Frozen. It can be close relationships like sisters loving each others. What if a disney princess was with a girl not a guy. – 2klonewolf 6 years ago
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    • Great topic! It's true, Disney has been spending a lot of time on their princesses, and while that is definitely a good thing, there is plenty of room to evolve the princes as well. Where's the artistic prince? The gay prince? A prince CRYING, for goodness' sake? It would be great to include a section at the end on examples of how Disney's portrayal of masculinity could improve. – Heather Lambert 6 years ago
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    Is Creed The Truest Sequel To The Original Rocky?

    Since its release in 1976, the academy award winning Rocky has received six sequels (Rocky II-V, Rocky Balboa, and Creed). The original Rocky was a relatively low budget film focused on a down in his luck boxer with an extraordinary chance to prove his worth inside and outside of ring. It was hailed for its underdog story, acting, and its iconic training scenes. The subsequent sequels often opted to forgo many of the ideas and the low budget style found in the original film. Sequels sometimes included cartoonish villains and other elements that would be out of place in the grittier original Rocky. When Creed was released in 2015, it received near universal acclaim for its story and acting (especially by Stallone and Michael B. Jordan in the title role), which focused on a hungry fighter working to prove his worth to the world. Like Rocky, the film was a character study of a box working to confront his issues within and outside of the ring. Is Creed the closest thing in style and tone to the original Rocky?

    • I just watched the movie and it is one of the best boxing movies out there and I can't wait for the sequel. – VELOSportsUK 6 years ago
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    Sound Tracks and Tone

    How important is the soundtrack in a film? The selection or creation of soundtracks is big business in the movie industry, but how important really is it? Movie goers today are fairly savvy creatures and understand that particular scores match particular scenes. But what happens to a scene when a contrasting score is played to the expected tone of the scene? Does this change the entire "feeling" of the scene or can it offer a more complex examination of traditional representations of emotion in-situ? What happens when no music is used in an emotionally wrought scene? Or what happens to scenes when music is removed – are the scenes still able to portray the emotional depth of the moment?

    • Sound tracks and scores are incredibly important. Music is a storytelling cue that develops and plays on our emotions and reactions. We have a natural, human response to music, regardless of how savvy we are as viewers. If look at a film like Star wars, which used a orchestra instead a 70s style disco or funk soundtrack, the music sets the tone throughout the film. Similar thinks occur with The Dark Knight, Schindler's List, and more recently Black Panther. – Sean Gadus 6 years ago
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    Is the movie theater experience worth the price anymore?

    Compare the box office success of movies with the rising prices of tickets and concessions. Is a really great movie worth the price for a "luxury" experience of reclining seats, Real-D 3D movies, and now food delivered to seats? Or are movie theaters just trying to stay in business while competing with online streaming services.

    • Perhaps add to this a look at how smaller independent theatres are also staying in business? – SaraiMW 6 years ago
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    • Given home theatre experiences, Cineplex does have to compete with offering a different type of viewing. Of course involved with this is the increasing costs of movies. But the deals keep com8n* so it looks like the death of cinema has earned a stay for another season. – Munjeera 6 years ago
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    • Maybe discuss the cultural history of movie theaters? For my part, I know that trips to the movie theatre were a staple of my early life, and it makes me more inclined to pass that to my own children as well. – ValleyChristion 6 years ago
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    • I'm not sure. I feel like they would have more business if they charged less. Maybe you could add features they could add to compete with online streaming services. – theWreader 6 years ago
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    • I would love for this topic to be explored, and I think a huge discussion point is the rise of Moviepass and such payment plans, that draw more people to the theater for a monthly fee. Also would be interesting to bring up Netflix wanting to buy theaters. – calvinIGH 6 years ago
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    • This is a difficult matter, especially since it's Hollywood and the MPAA that dictate ticket prices. Theaters barely make any money on tickets and thus have to charge exorbitant fees at concessions. I would thus say that the only films worth seeing in theaters are those you have a strong interest in; otherwise, wait for them to come out on Netflix. – LaPlant0 6 years ago
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