Look into how using specific tropes can help a writer to make their characters more recognisable for their target audience. Discuss how tropes are often used in mainstream media in order to quickly assemble a cast of characters and how playing with peoples expectations of tropes makes for engaging storytelling
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– seofreetips5 months ago
Analyse a human being’s ability to fall in love with a character – written, portrayed or presented in any form – despite the fact that that character can never acknowledge that person or return their love. In essence; is it possible to love a fictional character unrequitedly.
A truly fascinating topic. One reason someone might fall in love with a character is because the story that character was in helped that person through tough times. I and many other people go through rough spots in our daily lives, and we often escape reality through a book, or a TV show, or what ever else . We might attach ourselves to a specific character because we feel they fill in a gap in our real lives that is surely lacking. Maybe a character made us laugh, cry, or inspire bravery we never knew we had inside ourselves. – Aaron Hatch2 years ago
Fictional characters are never completely "fictitious" in nature. As readers we often find ourselves related to them in way or another. To take superheroes for example, apart from their powers, their life struggles are never too far from our own challenges. – aferozan2 years ago
This seems like it would be incredibly interesting. As readers, we get to know the main character of a novel incredibly intimately, more so than any other character in the story. I suppose it depends largely on one's definition of love, but we certainly have powerful emotional attachments to these characters. – Null2 years ago
Fictional characters can be every bit as well fleshed-out as any real person in our lives, I think. It is the depth of a character that allows someone to experience a depth of emotions in relation to that character. But is love possible? I don't know myself, which I suppose is what makes this an intriguing concept for me. If I were to posit a single question, I would have to wonder whether someone could ever love someone that would be completely unable to ever react to their own presence.
People fall in love with fictional characters all the time--it's a big reason why some relationships fail, I think--the misperception and misrepresentation of someone as something desirable to that person. The real question at hand is whether it can be love when this very "person" does not even truly exist outside of a limited fantasy world.
I wonder if you could maybe find instances of this? Or perhaps case studies related to the topic? Most certainly, you'd have to relate someone's personal feelings for a fictional character, and whether or not those feelings truly exist. – Farrow2 years ago
Absolutely, it is the safest way to fall in love. All the vicarious pleasure and non of the pain! – Munjeera2 years ago
This is an amazing topic. Seriously, really, really cool. I think it's definitely possible, especially, and the writer of this topic may want to touch upon this, if the person who is falling in love is the actual author of the story. – Jaye Freeland2 years ago
I really like this idea. I think the concept of "love" here would be a bit different, naturally, from the bond between two real people. You could explore how it may be comforting or maybe build confidence when someone finds interest in a fictional character. In other words, it can possibly help prepare them for a relationship in real life perhaps. – Filippo2 years ago
I would love to see the examples you use to analyze someone's ability to fall in love with a ficitonal character. I think perhaps going from different aspects (film, movies, novels,) would be a great approach. I think it's definitely possible especially with some of the fanfiction I've read in recent years. – alexusariana2 years ago
I wouldn't say truly, I would call it more of an infatuation, since you are not getting a two sided relationship. Much like when you develop a crush on someone and you are seeing them with rose colored glasses. – Quinzel2 years ago
I think people can truly fall in love with a fictional character. As another user has mentioned, this is especially possible if the character is two-dimensional and relatable, or just overall very likable and courageous. This makes for a very interesting and fascinating topic. – enizzari1 year ago
Wow...as a literature and psychology major I am placed in a precarious situation while approaching this topic. The book lover in me wants to say, "of course you can," whereas the psychoanalytical thinking side is about to grab the DSM and see if there is a clinical diagnosis for this. I think, as with all things in life, a key facet to consider is moderation; to truly admire the qualities of a character and find them to be an incomparable being is fine. Yet, if a reader becomes so fixated with a character that they are unable to engage in a real relationship due to holding their standard of acceptable partnership based on this particular character--then this is problematic! But, when we find a character we truly love and hate to finish the last page because it means saying goodbye, this is the bittersweet beauty of writing that we all hope to emulate. – danielle5771 year ago
Courtly (not Courtney) love, anyone? Seems similar since the public self is not the private self. – Tigey1 year ago
Yes. It is absolutely possible. How do I know? I've been dealing with this for almost 9 years of my life. I thought that after a few years of growing up and maturing, I'd be out of all of that, but it's still here, and I'm about to turn 20 years old. I'm not claiming to be all mentally stable, as I can perfectly tell it's not normal, nor sane; I know this because I've read about some people claiming to ''be in love'' with a character, but it's, at least in all cases I've read of, superficial, and it's over a few months later. For me... it's a tad more complicated. I don't really know how to explain it myself, but someone above said this: ''The real question at hand is whether it can be love when this very "person" does not even truly exist outside of a limited fantasy world.'' and I feel I can answer this perfectly. In order for the ''romance'' to work, one would have to live inside of that fantasy world, or at least in a way, ''bring it'' to reality. Take the character, and adapt it to our daily lives, and constantly imagine his/her reaction to given situations, even if he or she's not really there. I know it sounds crazy. But it was something that I couldn't control. It was as if my mind was working autonomously, and to be honest, I loved the feeling, because those ''crushes'' wouldn't last a few months, but years. I had trouble dealing with reality, and I became obsessive more than once, in an incredibly high level. I used to feel the character's presence all the time, as if I had to ''prove'' I was worthy of him. I used to fuel my feelings by learning about that character, so I could properly imagine his reactions, as if he was real. And then, I could get all the ''reciprocation'' in my mind, all the time, even without asking for it. I know, it's totally mental. As of now, I've learned how to control this, and it doesn't nearly affect me like to that level anymore. But I guess I can find a reason why I used to feel all of this. I've tested myself and got Avoidant Personality Disorder in the past; I was incredibly self-conscious, and had extremely low self-esteem. It was a long way, but I guess falling in love with characters was a way of coping with this, all this lack of love I've always felt I had. As I said, it still happens to me, but I more or less know how to control it, and I don't even feel anxious, or all that stuff anymore. Still, it was incredibly hard for me to walk away from all of this, as no one ever thought it was a pathology (I can clearly see it was, of some sort, as I didn't feel it was very natural), merely a very funny and peculiar characteristic of me, and I've never found any other case of it, at least not like mine. I guess people never knew it was a problem for me, because I've always acted very happy and ''cutely-obssesive'' over those characters I used to be in love with, but... Yes, it is possible, though I wouldn't wish it for anyone the way it happened to me. Beside all the happiness one could get by ''feeling loved'', it comes with a pretty messed up secondary effects, really. – IsabellaGranger1 year ago
I am currently going through the same thing. I lost the feelings I had for my girlfriend when I fell in love with the character. – AidenBender1 year ago
I'm currently experiencing this, it's been 5 years. It's so severe I decided to never find "real life" love because I'm just... Not interested. No one compares to him. Nobody understands and I don't even dare to explain, honestly I'm just wishing to die. Loving someone so much and never see him it's not worth it, but I can't seem to forget him. I'm so ashamed of me for getting myself being this ill and never did anything to get "normal"... – Crossinguniverse1 year ago
This has happened to me a variety of times with video game characters not to the extreme of denying a potential mate but I have always wanted to fall in love at some point in life and no person has ever (that I know of) felt the same way about me and I tend to gravitate to fictional video game characters. I currently have it very strongly with a character and I think its my fault that i got back into this feeling for playing this particular game (farming living a peaceful life and finding someone to marry and giving gifts to make them fall for you). This has really made me think non stop about this character who shares the same feeling that I have for her. And believe me i really wish I could completely erase these feelings away but they are very strong right now, I just hope that in a month or two I completely loose them because loving someone that doesn't even exist is very painful. So all in all I think its very possible to fall in love with fictional characters because its happened to me many times. – N80041 year ago
Cogito ergo sum my friend, the only one truth
If you think outside the box reality is just another fiction and fiction is just another reality, yes you can fall in love with a fictional character but you can't create any bonds – Sham12 months ago
Guys... If you happen to be going through this right now...Please send a PM to my facebook account adressing the problem...I'm still going through this too, and I feel I kind of retraced my steps into mentality again... I can't seem to completely let go of it and it worries me, but I feel maybe talking about it can help us all. We could do a helping group of some sort. My facebook is Isabella Granger, I'll add the link below if you want to message me and see if we can help each other. https://m.facebook.com/isabella.granger.16?ref=m_notif¬if_t=wall – IsabellaGranger10 months ago
I will fill this array, it happened to me too. For me it's maybe different from you, since I'm a guy, married, got kids, still fell in love with fictional woman. I love my wife a lot and it happened I got close to the lady off story. Than I realized I feel unusual towards her, almost same when I met my wife, yet different. Life story of this lady somehow resembles mine from past off younger age and then how it unravel and so one on so forth, it just happened. This woman is different from my wife, got less valuable everything than my wife, kinda rebel - devil - like my younger me, contrary angelic nature of my wife. Since I changed later on, seems old habits reside my memory. I'm fascinated not so much by those feelings rather the fact its possible in terms of psychology. I mostly take logical stances towards opinions and this is more fascinating than anything especially due empathy. Anyway I decided not to feel bad for this, rather fully submit to this for purpose of testing my mind. Plus it feels great, I'm somehow happy all the time my eyes are open, want to sing all day, everything is awesome. Everyone noticed I changed a bit, not so gloomy, smiling, less stressed, sleep better... Miracle or curse, have yet to discover. At least my next love doesn't argue about my scientific intentions :) – Khimari10 months ago
I have yet to find a Della Street in real life. – Antonius8656 months ago
I really want to see this topic investigated and researched in more depth. I think it would be important to look into the psychology of love and the variety of emotions that accompany each type. The love I have for my mother or best friend is not the same as a male or female fictional character. However, is one more superior or more valid than the other? Why do we feel connected to certain characters? Are they some kind of archetype for people in our lives? Perhaps they represent what we are personally missing. Interested in what others think. – Emily3 months ago
you can fall in love with the idea of the character as being real. We all have a fantasy of a person that we would like to be with
– Karenwest82 months ago
I doubt any true research could be done on this topic, because the variables are too great. Just the definition of "falling in love with a fictional character" means different things to different people, and is experienced differently by all those above who have experienced it. One definition of "falling in love" I've found on the Web is one by Fredric Neuman, who states the following: "Let me define falling in love as well as I can, so we know what we are talking about. One person finds himself/herself excited and preoccupied with someone else and desirous of touching that person and being with that person as much as possible. That strong physical attraction usually includes sexual feelings. There is a frequent desire to share thoughts and experiences, even trivial experiences. It is a headlong, pleasurable feeling that, everyone seems to agree, colors judgment so that the loved person is not seen clearly. Vague fantasies of a dramatic nature enter into the lover’s thoughts. The rest of life fades a little behind this dramatic daydream. It is as if there is a magnetic attraction to the other person that transcends rational thought. It is so powerful that, like other powerful feelings, such as grief, it seems to the affected person that it will last forever. It is the sort of thing people write songs about." The above is probably true for the infatuation phase of falling in love. It's a chemical reaction that eventually fades into attachment and companionship. If it's true love, then when the infatuation is done with, the attachment still remains. If someone falls in love for a few months or a year with a character, then moves on to another one, then maybe it was just a temporary "fling", like in real life. But I think the author of the subject above meant the love that comes after the infatuation. I think it's possible for a lot of people to fall into infatuation with a fictional character, but to actually fall in love, to be attached for years and years to the same character, even after it's not all butterflies anymore? All I can say is that, from personal experience, it's possible. I've only been in love with one fictional character, and it's been fourteen years. I also need to mention that presently I've been in a stable and happy real-life relationship for the past four years. Before that, I've had a few other normal relationships too. But when I first "met" that character 14 years ago, I couldn't even fathom a real life relationship for about five to six years. That character did not consume my life; I wasn't obsessed with him every single second of every day. I had other personal hobbies and social events that I enjoyed, during which I did not think of him at all. But I thought of him often. I could easily picture him in the bus next to me, or across the table from me. I could picture conversations with him, especially at night in bed, talking about my day, him talking about his day. In moments when I needed encouragement or comfort, I could picture him saying the words to me, and I felt much better afterwards, ready to tackle whatever obstacle. When I thought of him, my feelings were as real to me as anything I've felt after him. He was my first love. I didn't know what love was back then, so I just thought it was some teenage obsession that would fade in time. Except it never did, even to this day.
I've fallen in love with two real men after him. Each was different, but each time I knew it was love. Presently, I'm very happy and in love with my boyfriend. But that's also why I know it was also "love" with that character. In fact, because of the fictional nature of him, it's the most perfect love of the three. Nowadays, I think less about him, but when I do, it is with the same fondness as fourteen years ago. I can still picture him clearly with me if I want to.
For example, today I haven't thought of him at all, but now as I write about him here, I feel the same rush, the same love, I've always felt. I think, just as a first love, he will always stay with me until the day I die. Due to his nature, ours is a bond that is special. I always thought time would erode this bond, but so far it is still as vibrant as it's always been. And truly I'm thankful for it. I would never wish it to be otherwise. I consider my life to be better because of what I experienced and continue to experience with him. Whether it's delusion or something else, it doesn't hurt anyone. Not me nor my present relationship. So it's all good in my book. Not sure if sharing this helped to shed any light on the subject, but I hope it did.
– burningsunset1 month ago
Analyze the ever growing prevalence of murder-mystery and romance novels. Why are these genres currently the most popular genre? What kind of audience do they appeal to the most? Is this causing other genres (like fantasy or science fiction) to lose readership?
This is a very large topic by approaching both formats, it would perhaps be good to either look at the rise in hybrids of such genres or in fact choose one or the other. I think your concept of looking at why such formulaic genres have risen in popularity over other imaginative genres is interesting. However, you do need to be aware that fantasy and sci-fi has always only been a niche genre and is not considered mainstream fiction, which always tends to hold a greater market share. Perhaps it is worth looking at how why mainstream fiction has always been dominated by the sales of murder-mystery and romance over other genres? An interesting topic. – SaraiMW4 months ago
Using second person point of view isn’t exactly common when it comes to literature. It often brings to mind "Choose Your Own Adventure" stories, but not likely much else. Novels often seek to put the reader into the protagonist’s shoes so to speak, which second person point of view literally does, so what accounts for its limited use? Examine what puts this type of narrative at a disadvantage compared to the more popular first-person and third-person points of view in novels. What are some examples that make good use of second person point of view and how they successfully navigate its pitfalls and/or subvert its expectations?
The first example that comes to mind is Tolstoy's "Sevastopol in December," but you're correct to note its rarity. Epistolary novels can also, to a certain extent, be seen as utilizing second-person narration, since authors of letters are directly addressing an implied reader with a unique identity; this, however, becomes complicated by the commingling of the first-person "I" of the letter-writer and the second-person "you" of the recipient, thus reducing the formal purity of a single focalizing voice. It's interesting that you should bring up interactive narratives, since another possible example in that vein are so-called "first-person" video games. These may be better interpreted as actually being second-person, since the avatar through which the player experiences the game is less of a narrator than a participant à la "Choose Your Own Adventure." The true narrator in such cases is the text which appears on screen to provide instruction to the "you" who experiences the ludonarrative. – ProtoCanon4 months ago
Here's a recent one--Jemisin's "Broken Earth" series. Of course, it's phrased as being told by someone to someone else, but that's just the frame of it. It never leaves "you," and knows everything. – IndiLeigh4 months ago
This is something I'd really love to explore. I think often times in writing or English classes we are told not to bother with second person point of view because it's so rarely used and thus, we don't get to learn about it or appreciate it like other view points. – ReidaBookman4 months ago
There tends to be a negative stigma attached to Young Adult literature these days. It’s too cliché, it’s all the same, there too many vampires, angels or oppressing dystopian societies etc etc. And it seems once you’ve passed a certain age you’re looked down on for still reading and enjoying these books. Do you, as an adult, walk down the Young Adult aisle and fear the judging eyes on you from behind? As if they’re silently telling you to grow up? Is this a problem within the genre or people in general? Do you believe that we need a fresh wave of writers to bring a new edge to the idea of Young Adult literature to crack this stigma attached?
I completely understand your concern about the stigma surrounding YA. I would be the first to disagree with you and the genre, except that I found that the true value in YA is with the wisdom entrusted within the prose and the imagination. Nothing ever changes in life, the more we progress in time, the more certain things remain constant, is the way I see it. I find myself going back to the tried and true pages of text, and realizing how powerful the messages were, I was just too distracted and inexperienced to make sense of it. YA is at the bottom of my list of books to read, but certainly will remain a vital recourse when I ever hit that road block every writer faces. – lofreire8 months ago
YA is going through a trilogy phase for sure. – Munjeera8 months ago
There has also been a trend in YA of forced social issues taking precedence over the plot. If these themes are at the forefront, it starts to feel more like a lecture than a narrative. Social issues should happen organically in fiction and leave the reader with enough information to discuss and form their own opinions. – AGMacdonald7 months ago
I'm suspicious of the YA designation because so much of the time, the books seem to be pretty similar (not necessarily with plot devices or dystopian view, but in their view of young adulthood as-told-from privileged adulthood). Also, YA is a pretty profitable market, hence the cliches and repetition. The genre designation is very convenient as a marketing and book-sales tool. As for "outgrowing" YA, that's why the publishing industry has a growing interest in the term New Adult, which is a kind of transitional term between YA and Adult fiction -- that might be an interesting place to look to answer this question of stimga. – belindahuang187 months ago
That judgment is precisely why I don't buy YA in bookstores (I usually use Kindle). Having admitted I do read it, I'm also pretty picky about what I do choose. YA literature does, in my opinion, need something of a facelift. It's become stereotypical; most people think YA is either dystopian or saucy teen romance. As we know though, it's much more than that. – Stephanie M.4 months ago
I am quite the contrary to the opinion held of YA, and my preference in regarding this topic. My position is though--modestly, different.
I am an adolescent, presently I do not take interest in YA literature, though I must admit no young adult commonly prefers philosophy instead. It isn't enjoyable to me (YA) , though I enjoy the "boring" stuff. Anyone up for discussion, just let me know. – Mindovermatter4 months ago
Was John Lennon a multi-talented individual or did his success arise from a mixture of personal and professional acquaintances, geographical destinations, life experiences, or generational appetite? Examine the events leading to his early struggles as a fledgling art student, to the final years of masterful composing in order to isolate and understand the potent recipe for musical ascendancy.
Interesting idea. I lean toward Lennon being a singular talent. He obviously benefited from his band mates in the '60s, but his solo material subsequently is quite wonderful. I think you could make a compelling argument for either side of this issue. – John Wilson4 months ago
Maybe worth considering: It seems like he had most of his eccentricities and strange musical proclivities ironed out by the Lennon-McCarntey song writing machine and producer GeorgeMartin. – DeanJr3 months ago
Modern performances rely on young actors amid outlandish worlds of fantasy and fable. It is often conveyed through technological devices such as computer graphics or scale mock-ups. But years ago, child performers had only their voice, their dancing feet, their counterpart, and a reliable stream of antics to deliver entertainment to audiences. In the tradition of Shirley Temple and Little Rascals, show how much or how little technological advancement in screenplay has impacted the burgeoning and maturing actor into a unique form or into a rambunctious version of the original model. By all means, incorporate relevant patterns of the genre by configuring actors such as Mickey Rooney (who started in silent film) into the prose, or the Brooke Shields foray into fashion, modeling, and advertising.
Relevant article: https://the-artifice.com/secret-life-of-shirley-temple/ – Misagh5 months ago
An interesting suggestion for an article! There's a great history of cinema to draw upon indeed, but might I also suggest widening the subject to include a look at young actors/actresses' development outside of Hollywood? – Amyus5 months ago
A lovely topic with plenty of research to draw from. I'd be especially interested in the writer's take on Shirley Temple. Both my grandmas had some of her movies, so I watched her as a kid. I liked her, but even when I was little I felt her acting was overdone and whiny. I wonder now if that was encouraged because of a lack of technology, or if today's child stars have similar problems. (Personally, I've seen some really good ones and some that can't act to save their little lives). – Stephanie M.4 months ago
I’d figure that an analysis on ambiguous ends in literature seems to warrant some serious thought.I’d like somebody to write about the psychology related to an open-ended plot..Movies could do as well.Anime is also an option
Do you have specific works in mind? Choosing some might help anchor the topic. – Stephanie M.5 months ago
Before We Go is a great movie with an ambiguous ending. – Munjeera5 months ago
Like the ending in Kidnapped or David Copperfield? – RedFlame20005 months ago
Looks good under the topic of writing as the discussion could be the value of an ambiguous ending using various examples of how it works in various mediums. – Munjeera5 months ago
Before We Go is a Chris Evans movie about two people who meet in New York. He is on his way to connect us with the love of his life who has become an old flame and she is deciding to end her marriage. I can't say the ending because it will be a spoiler but the ending is ambiguous. Unusual for a romantic comedy. – Munjeera5 months ago
An ambiguous ending to a novel will undoubtedly leave open the window to future renditions. Even in a happy-ending scenario, there is potential for reversal of fortune (leading to another compilation). There is always the possibility that the reader massaged the original plot into a flavor consistent to their unique palate; one the author could conceivably exploit into several more chapters, or sequels. An unresolved ending builds the kind of tension and momentum that brings loyal readership back to the watering hole, so to speak. That is not to say that critics won't take notice either, for ambiguity fuels their ire as well. – lofreire5 months ago
Damn! You beat me to it. I was going to suggest a very similar topic. On a personal note, I rather enjoy ambiguous endings or those that credit the audience with enough intelligence to work things out for themselves. We are all too often given spoon-fed answers that discourage us from thinking...and we are a thinking species after all! – Amyus5 months ago
Are ambiguous endings sometimes done so as to leave the way open for a sequel? Or it can be a sci-fi device... – JudyPeters5 months ago