Writing

I'd figure that an analysis on ambiguous ends in literature seems to warrant some serious thought.I'd like somebody to write about the psychology related to an open-ended plot..Movies could do as well.Anime is also an option

When online publications release a video or an article that covers a controversial topic or expresses a provocative opinion, more and more frequently the moderators of the website decide to preemptively disable the comments section. Is this a smart idea, given that some topics on more popular websites will inevitably draw internet trolls or similar undesirables to flood comment sections with useless vitriol that overpowers legitimate discussion? Or is this an idiotic action that stifles any chance of legitimate discussion for fear of having to deal with hateful or useless material? Are moderators afraid of being accused of fostering a hateful environment if they allow this material to be presented in their forums? This is especially relevant given that many websites feature a voting system for their comment sections which allow audiences to give relevant comments more visibility based on the opinions of the people actually reading the article or watching the video, thereby allowing audiences to self-regulate what material they choose to engage with.

Life writing (memoirs, essays, autobiographies and biographies, auto-theory, etc.) is inherently personal in nature. These writings focus on personal stories that can be confronting for the reader to read, AND for the writer to write. They intend to communicate some form of personal, human truth.

But what role does narrative distance play in these works? Does life writing have to be first-person perspective that recounts events exactly as they transpired? Or, can a writer distance themselves from the writing and still achieve the same intimacy of life writing?

A range of texts could be discussed here; texts that approach life writing very differently.

Some examples could include clear-cut autobiographies written in the first-person (of which there are many), or works of fiction where a made-up character represents a real person (semi-autobiographical works, like Jane Eyre or Frost in May). A more out-there example could be cook books — these often express personal stories under the guise of recipes. Travel writing, too, can often be an inadvertent style of writing about the self whilst maintaining some narrative distance.

What causes someone to choose a "nom de plume" ("pen name")? While living in the Internet age, most people are completely comfortable with the idea of identifying themselves online with names other than those they were born with (i.e. usernames). When it comes to writers, the Brontë sisters all used male pseudonyms in order for their work to be taken more seriously. J.K. Rowling was encouraged to hide her sex when the Harry Potter series was initially published because it was feared young boys would not read her work otherwise. Later, J.K. Rowling herself disguised her world-famous name with the pseudonym "Robert Galbraith" when she departed from Harry Potter-related works. However, it is not only women who take up a "pen name." Lewis Caroll, Mark Twain, and George Orwell are just some examples of this. Much like a "stage name" can serve to reinvent oneself into a more exciting character than one's birth name would initially suggest, what are the myriad reasons for which authors choose nom de plumes? What do they seek to change or perhaps maintain? Have the reasons for pen names changed over time? If so, how?

Amidst a global pandemic, most of us are working from home, and in that context, mental health has become a persistent topic. For writers, daily access to the outside world is an integral part in motivating our creative processes. Under current circumstances where quarantine and isolation is advised, I propose an article that may consider the positive and negative effects that isolation may have in writing as a creative process.

It is natural to be inspired by the works of your favorite author when writing your own story. Needless to say, there are many books whose stories show signs of inspiration from older works leading to a contesting balance between seeking inspiration and plagiarism. One such book that skirts the border between the two involves Terry Brooks' "The Sword of Shannara" often criticized to have plagiarized Tolkien's Lord of the Rings. The book has nevertheless found its share of audience and was a massive success. I propose an article that discusses how Brooks took Tolkien's fantasy formula and used it to provide major boost to the fantasy genre in the post-Tolkien era.

Analyze how writing techniques are used by journalist on all aspects of the political spectrum to paint politicians in a specific light. Some journalist might play with elements of the truth or take phrasing out of context to go after an opponents reputation. An example of this from the United States of America might be how journalist on the right side of the spectrum go after progressive senators like Bernie Sanders or Alexandria Ocasio-Cortez. They tend to portray them as communist, but they are actually self-proclaimed democratic socialists. The left in the United States of America also does similar things to the right. The article can also go into the the dangers of avoiding neutrality in political journalism and letting readers come to their own conclusion about political figures. Or, it can dive into the risks of creating a veiled portrayal of neutrality regarding political figures when the writing is not. The writer can also discuss the effects of polarization when it comes to political writing. This topic could be a delicate subject to write about since, for readers in the U.S, it is very close to elections. Nonetheless, it could be a good opportunity for an analysis of journalistic writing.

I'm really interested in the evolution of language across literary movements. We saw the quickening and shortening of literary language during the Beat era, and I'd argue the lengthening of language in the decades before. How are we writing today? What will become of modern-day style? I think it's interesting to try and interpret our tendencies in real-time, rather than decades after they've happened. Have we even further shortened words/sentences as a result of the fast-paced digital moment we live in? Is there a niche that has done the opposite (ie. tend toward longer, flowing sentences as a kind of reaction to memes and media)? Have we changed the way we speak and write in some other fundamental way?