Comics

Since the film has been made and a trailer (maybe more than one) has been released as well – let's give some background to comic readers who may not know about WW. Explain Wonder Woman's relationship with herself, the Justice League, and how she came to be who she is today. Also, tieing in the new comic series she has had and seeing where the movie could potentially take from that instead of taking from the older versions of Wonder Woman.

Within comics and movies, heroes have slowly been developing more flaws while villains are beginning to produce a more human face. More so, with the rise fandoms, readers and fans have begun to appreciate both; picking favourites and encouraging this type of development for characters. By examining older heroes and villains and how they have developed/changed over time, as well as, the rise of the "flawed hero" and the "human villain", are we slowly entering an age where there is no right answer? Or will "true villains" be forced to be purely "evil"? Analyze both the negatives and positives of this within a writing context — will this change how plots and characters are being written? Will the definitions of what a "villain" or "hero" are, have to change? And will this bring in a new era of "grey" as opposed to the archaic, early form of writing that was strictly black and white? Or is our perception of the "character", "plot" and writing becoming deeper and more advanced?

A major problem with super villains is that after they are defeated and captured they break out of jail to reek havoc again. So what should happen to these trouble makers? Take a look at how different comics deal with this problem and the frustrations and morality struggles heroes face from it. For example, in one of the Crisis on Two Earths stories Superman performs lobotomies on villains to stop them but it is seen as immoral action. In many cases heroes are tempted to kill villains to stop their terror once and for all.

Sometimes there's a beautiful balance – like peas and carrots, pie and ice cream, Laurel and Hardy – between entertainment partners. Sometimes… not so much. In politics, Nancy whispered answers to Ronnie, Cheney pulled Bush's strings, and for eight years Hillary ran the White House while Bill diddled.

Of course, the same is true in entertainment. In music, Simon really didn't need Garfunkel, Hall didn't need Oates, and Diana Ross didn't need the Supremes. Regarding TV, it's said that "Eddie Murphy's success went to Joe Piscopo's head."

Which comic book character duos – for example, Batman and Robin – are equally necessary? Which are not? Which seem equal but are imbalanced? Which seem imbalanced but are equal? Why do these pairings either work or fail?

With the recent events in the Civil War II – (untimely things) – let's talk about the evolution of the Hulk. Who the Hulk is and where he has come from. How his character has grown and at times not so grown. No one really talks about the Hulk in terms of how he grew up and how he arrived at where he was today. Specifically in the comics, since for one, the films never really were praised until Mark Ruffalo became the Hulk. I really think talking about the comics and his story arc and where he has come from in the series' would be so great to see!

Civil War II??!? Want to focus on what Civil War II continues from the first one, what is different and what is the same. What should be and what should not be. We are having a lot of things derive from this Civil War series much like the first one – spin-offs, characters deaths, characters stepping down and so much more! What will this mean for the Marvel Universe? Did they create this Civil War in order to transition characters out and makes a storyline for new ones? Because it is starting to seem like that in some cases. What will this lead to for the MCU in regards to what's next for 2017 and even the end of 2016?

The greatness that is Paper Girls and what this means for a really good comic series. What the plot does for future comics, what the characters do for future comics and how the future of Paper Girls is looking for comic readers. There is not much to say about the evolution of Paper Girls without spoiling it for whoever is writing it – but, there is so much to say about the characters and the plot, where it will go and where it is going now!

Iron Man is becoming a woman, but not just that – he is becoming an African-American woman at that! Well, Iron Man will no longer be Iron Man, but you get the drift here. How does this change the Marvel Universe? How does this change the way we will see diversity, she is incredibly smart and an African-American woman. Emphasis on that because it is rare to see that other than in A Girl and her Dinosaur and things of that sort. What will this bring to the comic series? Will you still be reading it to see what it will be like and what it will continue to bring to the Iron Man franchise?